Ong raises an interesting concept: that “the audience is a fiction” (12). The
two ways an audience may be fictionalized are distinguished as “the writer must
construct in his imagination… an audience,” and “a reader has to play the role
in which the author has cast him (Ong 12). Agency and power may relate to these
functions, pertaining to the authorization (no pun intended) and capability of
the author and readership to perform these fictionalizations.
The effects of the dual fictionalization of an audience are
examined hypothetically in reference to a diary (Ong 20). The quote “And to
what self is he talking?” (Ong 20), correlates with Foucault’s concept of the
author-function. It could be possible that the fictionalization of audiences is
a result of the author-function. This would mean that both the readership and
author are necessary for the author-function and the fictionalization of the
audience. As described, the author-function “does not refer purely and simply
to a real individual, since it can give rise simultaneously to several selves,”
(Foucault 910).
Foucault, Michel.
“What Is an Author?” The Critical Tradition: Classic Texts and Contemporary
Trends, Third Edition. Ed. David H. Richter. Boston, MA: Bedford/St. Martins,
2007. 904-914.
Ong, Walter J. “The Writer’s Audience Is Always a Fiction.”
PMLA 90 (1975): 9-21.
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.