"Ecopornography is like 'real' pornography...because it
masks sordid agendas with illusions of beauty and perfection." (page 55)
While Welling does not seem to view ecoporn in a sexual
sense, he feels it should be considered porn and categorized alongside human pornography
because it is viewed in the same manner. Ecoporn equates nature and animals to
a powerless figure to be controlled by the viewer much the same way a female in
pornography is viewed. Welling notes three specific reasons why ecoporn IS
porn. For one, it equates nature to a domesticable, exploitable commodity the
same way human porn does to woman. Secondly, pornography is capable of
empowering and degrading; it degrades women to nonhuman standards and elevates
nature to human standrads with men still being the all-powerful "male
surveyor" (here he compares zoos to peepshows to show their striking
similarities). And lastly, ecoporn acts in many similar ways to human porn such
as animal snuff films, big cats in traditionally sexy poses, and flesh colored
landscapes that mimic the female body.
"Anatomizing ecoporn as porn can help us interrogate
the androcentric, ethnocentric, and anrthopocentric assumptions that ̶ despite appearances to the contrary ̶ animate ecoporn, perpetuating nature/culture
dichotomies that sabotage environmentalism's attempts to inspire wider
publics." (page 55)
Welling views ecopornography through the feminist lens many
people tend to view heterosexual human pornography with. The usual androcentric
power dynamic expressed in human pornography can be easily ascribed to
ecopornography. The masculine gaze looks upon the feminized depiction of nature
(i.e. a womb-like canyon or a docile animal) and sees it as something to be
conquered or otherwise violated and subdued. Scenes from nature take on a
pleasure-giving role in the relationship between the natural image and the
viewer. The viewer has the power and nature becomes the victim of the
anthrocentic, masculine gaze. Welling applies the patriarchal logic linked to
the exploitation of women in the porn industry to ecoporn. Nature is exploited
when it is photographed and documented to look pristine, pure, and virginal.
While the sexist implications of ecopornography are more subtle than the sexist
implications of human pornography, Welling claims they are just as pernicious.
He points out the PETA "I'd rather go naked than wear fur" campaign
which is notoriously sexist and detrimental to women. He puts a new spin on it
though, delving into the example of one ad featuring a naked woman whose body
is painted to make her look like a snake that reads, "Exotic skins belong
in the jungle, not in your closet." Through a feminist lens, people would
see the ad as extremely sexist and totally pornographic, but those people are
missing the alternate issue that while the image is dehumanizing women, it is
simultaneously sexualizing snakes. Snakes are reduced to "exotic
skins" and the object of heterosexual male desire. While women are
naturalized and animalized, nature is womanized. PETA ads are a good example of
Welling's theory at work because they have a history of blurring the lines
between ecoporn and human porn.
"In the end, despite the large sums ecoporn helps raise
in the name of animals and the environment, its rhetorical focus is less on
nonhuman subjects ̶ which suffer from
our rage to look at them in ways that ecopornography not only does not show but
must keep hidden in order to survive ̶
than it is on man's pleasure, man's power, man's control." (page
66)
- Kayla Goldstein
I really enjoyed your post because it helped me get a clearer view on the reading. However, I would say just be careful because we are supposed to be be making "critical connections" between texts or some sort of in-depth analysis and this just seems like a summary. Anyways, as I was reading this I start to wonder about "aesthethic" nature as a whole. Can these "sexualization" concepts apply to food, clothes, and basically every other material object out there? Is everything that is made to look commonly appealing to the masses in a way a "sexualization" of the product? Like the fact that women's clothes are tailored and cut a certain way to show off our natural assets, or men's clothes to their figure as well. The shape and meaning of beautiful flowers... are there layers to their beauty as well and why we like them? What constitutes "beauty" anyways? How was this concept instilled into people and even in ways where everyone may see "beauty" differently?..... I'll stop the question ranting here.
ReplyDeleteOne last thing, I would just like to comment on the fact that it is true that the Florida Panthers are almost extinct because of CARS. When I was in Miami visiting the Everglades, the ranger there said it would be rare to see a Panther because there are only a few left. They are dying out quickly because of the Miami roads and highways near the park.