When I look at my roommate’s messy, next-door bedroom, I visualize
a bigger mess, a slob. She’s not a slob, of course, but because my house was
always pretty clean growing up, I have high standards for my own living
quarters now. This is one tiny sliver of what makes up who I am and what I like,
a fraction of my terministic screen. Here, I will compare the Landow’s concept
of hypertext and intertextuality to Burke’s terministic screens.
The author of “Directing the Attention” says that he visualizes
a particular set of photographs after speaking about “terministic screens.” The
pictures were of the same objects, but were taken using multiple angles and color
filters, which highlighted differences in texture and even form when he looked
at the prints. The entire mood was altered simply by tweaking a few things. A
very obvious example of this today is the photographic social media platform known
as Instagram. Every photo uploaded is given the invitation to be filtered,
changing the color tone, the shadows, and virtually anything that the user
wants to adjust. Each individual person who sees a post will then interpret it
in a new way, not necessarily a better way, but a singular, unique way that no
one else but them can. This can be said for any text, as well, because every
single human being grows up with a different kind of “screen” or “grid” of
intelligibility through which they perceive the world, and through which it
makes sense. These “screens” or “grids” are a unification of things like the
discipline they received as a child, television shows they were exposed to, and
the kind of relationships they were engaged in. Terministic screens are
rhetorical because they are reflective, deflective, and selective of our
knowledge, but they also become projections of ourselves, shaping the ways in
which we act.
But how many of our actions are determined by terministic
screens? Do these screens bring things into being? Can we look at this like the
concept of hypertext and/or intertextuality? And does the terminology construct
reality? I think the short answer is yes. But how do we reach these answers,
how do we reach transcendence in understanding this?
It’s difficult to answer with a mere “yes” or “no” when it’s
in regard to terministic screens. Much of what shapes our individual perceptions
are our experiences, but a large portion of our personalities are also influenced
by our id, ego, and superego, some of which are unconscious. These lay the
framework for our due course of life choices, but the details can and are warped
by our encounters with other people and the theories we find in texts that are
constantly circulating. Without these screens, though, there is nothing. They are
made up of happenings in the world, definitions we give common objects like
plants and animals, and without these, we have no connotation or connection. There
would be no way to relate or communicate what we need to. Therefore, they are
absolutely necessary, but if you think about it, the term is a combination of
situations that are unavoidable. We can’t simply sit in a plastic bubble for
our entire lives. Every occasion, no matter how “boring” or “uneventful” it seems,
adds up to represent segments of our lives that then merge into a canopy that
encompasses all our traits. Burke even mentions how he hopes his examples “suggest how fantastically much of our 'Reality' could not
exist for us, were it not for our profound and inveterate involvement in symbol
systems” (Burke, 48).
We are able to consider these theories in relation to hypertext and intertextuality,
because both of these are umbrella terms that operate by building up a large
concept (similar to a life) and utilizing a multitude of associations, like
hyperlinks and connections to other well-known texts. These are comparable to
the experiences that make up a person and his/her attitudes. “The word ‘assemblage’
seems more apt for suggesting that the kind of bringing-together proposed here
has the structure of an interlacing, a weaving, or a web, which would allow the
different threads and different lines of sense or force to separate again, as
well as being ready to bind other together” (Landow, 34-35). Like a hyperlink,
terministic screens are a network of texts, part of a interconnected approach
to the nature language, that works to operate together to reach transcendence,
or some understanding/contentment in the world.
Sara,
ReplyDeleteI really like how you chose to use Landow to support claims you made from the Burke essay. I especially loved the instagram example, seeing as though that platform appears to replace the photograph example in Burke's essay. I agree that the instagram photo has altered our perception of our reality from the details within the photo to the time the picture is posted with the accompanying caption. These photos reveal something about our own "reality" and the caption beneath can arguably paint a different perception for the viewer. This process distorts reality- yet remains a piece of our own reality and identity. In the scientific approach, we may begin to deconstruct our identity on social media compared to our true identity. However, a dramatistic approach would be to explore how society has created the need for individuals to document their lives. I think this aspect could be interesting to explore within your post.
Additionally, I think that it would have been helpful to see you expand on the relationship terministic screens has to assemblage. How would Landow have viewed photos on instagram if you are using this example as the basis for your knowledge? Would have agreed that instagram becomes part of your reality with each picture linking to certain memories with people who have accounts? I'm very curious about this concept.
Overall, I think you did a very good job explaining this concept. Continue to keep up the great work!
Sincerely,
Erin Schwartz