It is the dawning of the Millennial’s and the old heads
couldn’t be more terrified.
In this new age there have been so many
progressions to society and thus, changes in the way we receive text. Our
social constructions shape our reality. We are the agents and it is important to understand our motivation to create and the inadvertent biases within the text created.
Looking back over the course, I find Metapictures to be extremely
valuable in understanding our society, questioning behavior, and understanding
who holds authority. First to understand Metapictures according to Mitchell: In
his essay he explains that it is "a picture about a picture." This
can seem confusing, but with further explanation it is understood "that
pictures might be capable of reflections on themselves…of providing a
second-order discourse" (38). I think that ‘second-order discourse’ could
allude to the ability to transcend a current situation and previous experiences
with the like, and focus mainly on the text (image, video, audio, words).
Landow, who is mostly interested in understanding hypertext, (which I believe can be
directly associated with Metapictures) states that one fundamental
characteristic of hypertext is how it is composed of bodies of linked texts
that have no primary axis of organization. In short, a text essentially has no
center. Therefore, he believes that for one to truly understand a certain text
we must look at everything that which it surrounds; which to me is second-order discourse; to
totally evade previous knowledge’s and so-called truths, but to experience the
text as is.
I understand this can be extremely difficult. Hume has discussed
that we use sight to create an image. She proved that a stereotype for a race that is not
easily removed. She proved this through the usage of old racial cartoons. She
proved that as the viewer, we understand the general message being displayed
because of our inadvertent application to suggested identities that have been
instilled toward our understanding to specific events, people, or ideas over time.
The display of explicit and exaggerated identities was immediately understood
due to our inevitable participation in social construction.
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