Similar to rhizomes and hypertext, metapictures are more like
maps in the sense that there is no tracing, no center, just open to
interpretation where the reader follows the path they want to follow. What do I
mean by open to interpretation? Well, although a metapicture may be
self-reflective, there are various possibilities of what an image could mean
and there are various ways of reaching that meaning. For example, the most
obvious would be to observe the image alone. That’s where the possibilities are
really endless because it’s all up to you. You have to try to find viable
allusions. But, if you read a text of words describing the image, then the
answer is right in front of your face and you don’t have to exert your critical
thinking skills as much. Thus this option of reading a descriptive text is
narrower and focuses on just one “correct” answer.
Take Steinberg’s metapicture on page 39 of Mitchell’s
“Metapictures” for example. What did you first think it meant? You probably
thought of something relatively different than what it was described as on the
following page. And that is fine, because the reading then goes on to say that
instead of the sublime image Steinberg describes it as from the insides, it is
also seen as the complete opposite from the outside: a ridiculous New Yorker cartoon. Like Wittgenstein,
even though he was specifically talking about the Duck-Rabbit metapicture, I
believe that we should just listen to the words that come out of our mouths
while we ponder instead of explicitly trying to explain (Mitchell, 61).
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