Thursday, March 19, 2015

Freeing Music



   This documentary Good Copy, Bad Copy was very similar to another documentary I watched for WEPO called RIP! A Remix Manifesto. Both feature artist Girl Talk and explore the limitations on culture caused by strict copyright laws. An astounding opinion shared by many big production companies is voiced by Bridgeport Music at 7:08 when they express, "The court decided that it's illegal to take anything from a recording...and it's not creative." This ruling is a huge blow for all music genres but especially for rap and hip hop that thrives off of samples. For example, Dr. Dre in his song "100 Miles and Runnin'" sampled a guitar riff from the Funkadelic song "Get Off Your Ass and Jam." The riff is so stretched out that it sounds like a siren in the background of the song, claiming that a creative remastering such as this is not creative and illegal is extremely destructive to the industry as a whole. 
        Copyright law constantly refers to the artists' right to protect their "intellectual property." This term describes something that doesn't exist because no creation is completely original and no thought is unique. Everything we as humans know has been taught to us and all ideas including music are recycled. This isn't to discredit artistry, but copyright seriously inhibits artists in the selection of music they can freely remix. The music that is actually accessible in the public domain is extremely antiquated and irrelevant. The "war" if you would call it against piracy is very similar to the war on drugs. Costly and ineffective. 

         Sharing knowledge and culture is the greatest value the Internet has provided the modern age with. At 21:30 a similar viewpoint is shared, "If you look at the advantages of file sharing, every citizen gets all knowledge and culture at his fingertips. Each citizen is enriched in a way not seen since the advent of public libraries 150 years ago." It is a known fact that companies who encourage their audience to interact with their products are more successful and don't alienate their fans. This is seen in creative campaigns like Doritos encouraging consumers to create their own commercials with a chance for theirs to be aired during the Super Bowl. Such encouragement increases sales and creates a better relationship with consumers. Those who enjoy great success but still choose to alienate their fans like Taylor Swift removing all of her music from the internet, only distance themselves from their audience. 

        This claim is expressed throughout the documentary especially at 53:27 when Lawrence Lessig says, "The copyright maximalists, the Hollywood types, say really strict control will grow the industry faster than anything. But in fact that's wrong. Freedom drives a more vibrant economy than restriction and control." Like the creators of this documentary, I don't condone a completely free system where excessive pirating and sharing is allowed. Instead, I would argue that services like Spotify where you can pay a subscription for unlimited access to music is the future of the industry. Television is headed in the same direction with many networks allowing episodes of their shows to be available for streaming online and the popularity of Netflix. Additionally, I would also argue that copyright should only last for 15 years after its creation or perhaps just the lifetime of the creator before it reaches public domain. The current rule is the lifetime of the creator plus 70 years. This rule is extremely limiting and honestly outrageous. Slow and modestly progressive steps must be made in the entertainment industry in order to encourage creative freedom. 

1 comment:

  1. Katharine,
    I also took WEPO and saw the film RIP! A Remix Manifesto in class. This documentary also reminded me of one of the main concepts in WEPO and that is that everything is a remix. I have to agree with you on the fact that the court's ruling that "it's illegal to take anything from a recording...and it's not creative" is a bit shocking. Almost every artist now samples an old recording by another artist so no ones work is truly original. So if everyone's music were to be assessed by this ruling than everyone would be probably be found guilty of copyright infringement.

    I like your comparison to the war between drugs VS the war between piracy because it is in fact true. As much as we want to think that one day distribution of illegal drugs will cease it will never end because there will always be people that will be willing to buy it. Just like with music, there will always be someone that will be willing to sacrifice going to jail just to be able to download music for free. It's a war that will never end.

    The internet was created with nothing but good intentions. When used properly, one can gain so much knowledge and enrichment while utilizing the internet. It can open up doors to other worlds that one would never be able to access otherwise. Unfortunately, the internet is used for so many bad things like child pornography, hacking, identity theft, and of course music piracy. I agree with your proposition that there should be a revision to the copyright laws that currently exist. Oftentimes they are perplexing and tedious. In this day an age where everything is a remix, there should be clauses that allow artists to "borrow" music if they follow the correct legal procedure. I do believe that there should be regulations for those who's "creativity" is an exact copy of the work of others but there should never be a restriction or a limitation on the creative freedom of those who are truly talented.

    Karla

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